Thursday, August 31, 2006

**THE HISTORY OF THE MASTERS**


Sokon Matsumura

(1792-1887) was the forefather of Shorin Ryu..
Matsumura was recruited into the service of the Sho family (Royal family of Okinawa) and eventually became the chief martial arts instructor and bodyguard for the Okinawan King. At some point in his career, approximately 1830, he went to China and studied the Shaolin style of Chinese Kenpo (fist method) and weaponry. It is also known that he traveled to Foochow in Fukien province, China on numerous occasi

Sokon 'Bushi' Matsumura
ons as an envoy for the Okinawan King. After his return from China he organized and refined the Shorin Ryu system of Okinawan Karate.
Matsumura is credited with passing on the kata or formal exercises of Shorin Ryu Karate known as Naifanchi I & II, Bassai Dai, Seisan, Chinto, Gojushiho (fifty-four steps of the Black Tiger), Kusanku (the embodiment of Kusanku's teaching as passed on to Tode Sakugawa) and Hakutsuru (white crane). The Hakutsuru kata contains the elements of the white crane system taught within the Shaolin system of Chinese Kenpo. Another set of kata, known as Chanan in Matsumura's time, is said to have been devised by Matsumura himself and was the basis for Pinan I and II. Matsumura's Ryu has endured to the present day and the above mentioned kata are the core of Shorin Ryu Karate today.
Matsumura was given the title "Bushi" meaning warrior by the Okinawan King in recognition of his abilities and accomplishments in the martial arts. In fact, Matsumura fought many times but was never defeated. His martial arts endeavors has been the progenitor of many contemporary karate styles, Shorin Ryu, Shotokan Ryu, and Shito Ryu, for example. Ultimately all modern styles of karate that evolved from the Shuri-Te lineage can be traced back to the teachings of Bushi Matsumura. This includes Taekwon Do (Korean Karate).


Kosaku Matsumora

Matsumora (18Kosaku29 - 1898) was born in Tomari village, on Okinawa Island. At the age of 15, when in those days boys began to be treated as adults, he started to learn karate from Master Teruya of T

omari. The young Matsumora became one of Master Teruya's main students, even though he had many followers.
Master Teruya taught Katas which were only practiced in Tomari, namely "Rohai", "Wanshu" and "Wankan" (sometimes known as "Okan"). He also placed a great deal of emphasis on good behaviour, citing "Karate-ni- Sente-Nashi" ("there is no first attack in karate").
In those days, karate was usually practiced in the garden or at the cemetery of the master's family, as it was the most convenient place. One evening, when Master Matsumora and others were practicing at Master Teruya's family cemetery he noticed an outcast watching his moves intently. Master Matsumora approached him. The man apologised for disturbing Matsumora's training and commended him on his level of skills. He handed Matsumora a piece of paper but, before Matsumora could finish reading the inscription, the recluse had disappeared. Matsumora showed the note to Master Teruya, to which he responded "exactly!". Some time later, Kosaku Matsumora had a flash of inspiration and, in a moment, understood the deeper meaning of the message;
"The essence of bu(do) is to denounce immoral consideration, understand humanity, follow a virtuous path, and devote your life to cultivating peace in Okinawa."
Master Matsumora had several students including Master
Choki Motobu, who became renowned for his great fighting skill. Choki Motobu was reputed to have learned only Naifanchi Kata from Master Matsumora, but this is not true, although he did like the kata and so perhaps practiced it more than others. This Kata has been handed down and practiced in Wado-Ryu because Hironori Ohtsuka, the founder, learned it from Choki Motobu.


Yasutsune 'Anko' Itosu

Yasutsune 'Ankoh' Itosu (1830-1915) was born in Shuri and became one of the most respected martial artists in Okinawa during the 19th century. Master Itosu was a student of
Sokon Matsumura and Kosaku Matsumora. One of his great contributions to the art of "To-De" or karate, was the firm belief of the importance of the development of person's character through the concentration on 'Kata', form patterns, and 'Bunkai', application practice. Master Itosu, is quite possibly the most influential teacher in Shorin-Ryu, expanded Shorin-Ryu by adding the Pinan katas' as well as Naifanchis' Nidan and Sandan.
When he first began teaching in the school system, the introduction of the kata Naihanchin was his preferred way to teach. He soon realized that this kata was far too advanced for the beginner, which lead to master Itosu creating a group of new kata, the Pinans. The creation of 5 Pinan (alternate read as HEIAN) kata was based on the kata called Kusanku and some other significant techniques. He also split both the Kusanku and Bassai katas' into the Sho and Dai versions.
In circa. 1901, master Itosu was the first person to introduce 'To-De" into the Okinawa Dai Ichi Jr. High School and the Okinawa Teachers Jr. College school system. This was a critical step in the expansion of the martial arts since prior to this, the art of "To-De" was considered a "secret" art. This introduction into the mainstream quite possibly may have paved the way for the availability for ALL styles of the martial arts to reach the general public. Master Itosu also organized and systemized "To-De" into a standard method of practice. Master Itosu trained a great number of eminent karate men, including Kentsu Yabu (1863-1937), Chomo Hanashiro (1869-1945),
Gichin Funakoshi (1886-1957), Moden Yabiku (1880-1941), Kanken Toyama (1888-1966),Chotoku Kyan (1870-1945), Shinpan Shiroma (1890-1954), Anbun Tokuda (1886-1945) and Kenwa Mabuni (1887-1952).

Kanryu Higa'shi'onna
Kanryo Higa'shi'onna (1851-1915) was born in Naha, Okinawa on March 10, 1851. Despite being born as a descendant of a prominent family line, his family was impoverished. They earned their meager living transporting firewood from the Kerama Islands in a small junk.
He was small for his age, but very quick and nimble, and showed a keen interest in the fighting arts at an early age. At the age of 14, he began his formal training in Chinese Kempo from a local who had studied the Fukien style. He longed to travel to China and study there, and eventually achieved that aim in 1866, when he convinced the owner of a ship bound for China to grant him passage.
After a year in residence at the Okinawan settlement in Foochow, he was introduced to Ryu Ryuko. He was not allowed to train right away, and had to follow the age-old custom of personal service to his master by attending the garden, cleaning and doing odd chores. After he had satisfied his master's expectations, he was accepted as a disciple.
He assisted him at his trade as a bamboo craftsman by day and trained in the evenings. Training, as was the norm at that time, was very severe. He trained in Sanchin kata and developed his musculature through weight training with the traditional implements we see today in Okinawan styles. The training took it's toll, but he was to gain a reputation among the locals as one of Ryu Ryuko's most skilled students.
After 13 years of training, he left Foochow and returned to Okinawa, and began private lessons to the sons of the man who had granted him passage to China. He went back to his old job as a merchant, but his reputation was growing. Sailors and travelers from China brought back stories of his prowess that they had heard there, and before long, many would seek to become his disciples. Training was severe, as he had learned, and only a few who began would continue for long.
Higashionna began to teach both hard (go) and soft (ju) versions of kempo. He further combined these techniques with the style of his homeland, Naha-te, and many of his students went on to form their own systems based on his teachings. One of his students,
Kenwa Mabuni would blend Higashionna's teachings with those of his other instructor, Yasutsune "Anko" Itosu founding Shito Ryu. Another of his students, Chojun Miyagi, would further refine Naha-te, founding the Goju-ryu karate system.
He died on December 23, 1915 at the age of 63.
Gichin Funakoshi
Gichin Funakoshi (1868-1957) was the founder of the
Shotokan-ryu style. Funakoshi was born in the Okinawan capital of Shuri into a family of the Shizoku class (upper class). Master Gichin Funakoshi was instructed by Yasutsune Azato and Yasutsune Itosu. He was responsible for introducing Karate to Japan in the 1920's. He was also responsible for changing (or defining, depending how you look at it) the meaning of the word Karate-do.
He changed the 'kara' symbol in Karate from the old symbol, meaning 'China', to the new symbol, meaning 'empty'. In his book Karate-Do Nyumon, he writes: "Just as an empty valley can carry a resounding voice, so must the person who follows the Way of Karate make himself void or empty by ridding himself or all self-centeredness and greed. Make yourself empty within, but upright without. This is the real meaning of the 'empty' in Karate.
"...Once one has perceived the infinity of forms and elements in the universe, one returns to emptiness, to the void. In other words, emptiness is none other than the true form of the universe. There are various fighting techniques - yarijutsu ['spear techniques'] and bojitsu ['stick techniques'], for example - and forms of martial arts, such as judo and kendo. All share an essential principle with Karate, but Karate alone explicitly states the basis of all martial arts. Form equals emptiness; emptiness equals form. The use of the character [for 'empty'] in Karate is indeed based on this principle."
The result of this change is that Karate-do, which formerly translated loosely to 'Chinese hand', now translates to '[the way of the] empty hand'.


Choki Motobu
Choki Motobu (1871-1944) was born in 1871 in Akahira village in the Shuri region of Okinawa. He was the third son of Motobu “Udun”, a high ranking aji or lord. The Motobu family were skilled at the art of Ti (a grappling art of the Okinawan nobility). Motobu did learn some of the techniques of his family’s fighting system, but because of Okinawan tradition, only the first son, Choyu, was educated and choose to carry on the family’s martial tradition. Because of this situation, he went looking for instruction elsewhere.
Choki began training extensively with makiwara and lifted heavy rocks to gain strength. He endeavored to become as strong as possible and trained with ferocity. He became known as “Motobu zaru” or Motobu the monkey because of his agility and speed. Eventually, Motobu became the student of
Anko Itosu (one of Mabuni’s sensei). Now a young man, Choki spent a lot of time seeking out strong looking men to challenge on the street. He won most of his fights and learned much from these encounters. Itosu sensei was not impressed by the young man’s bullying and promptly expelled him form the dojo.
Motobu’s aggressive behavior soon earned him a bad reputation and many sensei would not teach him. Once man, however, liked the spirit he showed and accepted him as a student of karate. This man was
Kosaku Matsumora of Tomari. It was from Matsumora that Choki learned many Kata. Motobu still challenged others to fights often and was eager to develop and improve his fighting skills. He eventually asked Matsumora to teach him kumite, but Matsumora told him to continue to learn on his own. Motobu, however, was persevering and is said to have watched the kumite training through holes in the fence around Matsumora’s dojo.
Motobu’s street fighting served him well (to the detriment of many). He formulated his own formidable style of kumite and began to get much attention in Okinawa and in Japan on his trips to the islands. One day while in Kyoto he witnessed a contest where people were asked to match skills with a foreign boxer. A friend coaxed Motobu to give it a try.
The boxer was arrogant and goaded Motobu constantly. For two rounds Motobu just avoided the boxer’s attacks. In the third round he had enough. He used a practiced technique and promptly knocked the boxer out. The crowd was quite taken aback. They had never seen this kind of fighting. Motobu had simply struck his opponent with a fore knuckle in the temple; a basic technique. Needless to say, Motobu quickly gained a reputation as a master and many curious people came to learn this mysterious new art. Soon, Motobu became a full time teacher.
During this time, Motobu gained great respect for his fighting ability. He was hailed as the greatest fighter in Japan. Many sensei advised their students to go and train with Motobu and learn his kumite techniques ( for obvious reasons). He was also asked to teach at several universities. Because of this, many of today’s great instructors of various styles had the benefit of his instruction, so it is clear that his was a large influence in karate.
Motobu usually only taught naihanchi kata to his students and it was his own version with many Ti-like grappling and throwing techniques. However, it was his kumite that had the greatest impact on karate. Oddly enough, there is a story of Choki, full of confidence, challenging his brother Choyu to a fight. It is said that Choyu threw Choki around like a rag doll. After the experience, Choki is said to have humbled himself and adopted more of his family’s Ti forms. In 1922, Master Motobu helped Master
Funakoshi start the teaching of Karate to the Japanese. Filled with a new outlook on his life, Master Motobu returned to Okinawa in 1936 and began training with Master Kentsu Yabu. Master Yabu was only man to have ever defeated Master Motobu.
Later in life, Motobu seemed to stress the importance of tradition in training. He strongly stressed the importance of makiwara training and became as enthusiastic about kata as he had always been about kumite. In 1936, at the age of 65, Motobu left Tokyo and went back to Okinawa to visit his instructors to talk about the state of karate in Japan and to make sure that he was teaching the kata and techniques in their originally, unaltered form. Subsequently, he returned and continued teaching in Tokyo. Shortly before World War II, he returned to Okinawa and died in 1944 of a stomach disease at the age of 73.
It is obvious that Choki Motobu was very instrumental in the development of karate and that he was the inspiration for many who trained in the art. It is good to see that, today, millions of people still keep the art alive and strive to keep the fighting spirit of karate which Sensei Motobu so dearly loved.
From The Coslet's Karate Newsletter September, 1992


Kenwa Mabuni
Kenwa Mabuni (1889-1952) is the founder of the
Shito-ryu style of Karate. Mabuni was born in Shuri, Okinawa, the son of a 17th generation Samurai called the Bushi (warrior) class. Members of his family served Okinawan lords for hundreds of years. During his time, the martial arts (Okinawa-te) was known according to the village where it was practiced: Shuri-te (the hand of Shuri), Naha-te and Tomari-te. Mabuni learned Shuri-te from Yasutsune Itosu, who was a student of Sokon Matsumura, and Naha-te from Kanryu Higashionna. Mabuni learned some 23 kata from Yasutsune Itosu. Mabuni also learned several empty hand katas and Kobudo (weapon) katas from Seisho Arakaki (1840-1918), and some white crane Kung Fu forms from Woo Yin Gue, a Chinese tea merchant in Okinawa.
During the 1920’s the insatiable Mabuni participated in a karate club operated by
Miyagi and Choyu Motobu, with help from Chomo Hanashiro and Juhatsu Kiyoda. Choyu Motobu was a master of Shuri-te (the antecedent of Shorin-ryu) and gotende, the secret grappling art of the Okinawan royal court. Hanashiro was also a Shuri-te expert, while Kiyoda came from the same Naha-te background as Miyagi. Known as the Ryukyu Tode Kenkyu-kai (Okinawa Karate Research Club), this dojo (training hall) was one of history’s gems. Experts from diverse backgrounds trained and taught there, and it was there that Mabuni learned some Fukien white crane kung fu from the legendary Woo Yin Gue.
By this time, Mabuni had become a highly respected police officer and made several trips to Japan after
Gichin Funakoshi introduced "Karate" in Japan in 1922, Finally he moved to Osaka, Japan in 1928 and started to teach Karate. Shortly thereafter, the Japanese martial arts sanctioning body, the Butokukai, (then the governing body for martial arts in Japan) started registration for all Karate school and Master Mabuni named his style as Hanko-ryu (half-hard style) which later in 1930's changed to "Shito-ryu" in honor of his two foremost teachers Yasutsune Itosu and Kanryu Higashionna (the first kanzi character in 'Itosu' sounds like 'Shi' and that in 'Higashionna' sounds like 'to', 'ryu' stands for 'style' or 'school').. Not everyone agreed with separating Okinawan karate into factions through the use of style names. In fact, Shutokan headmaster Toyama questioned Mabuni and others about their use of what he called “funny-sounding names.” Mabuni countered that giving the style a name would not only satisfy the Butokukai, but would give people something they could identify with and feel a part of.
Among Mabuni’s earliest students was Kanei Uechi (not to be confused with Kambum Uechi’s son of the same name), who by 1935 was also teaching in Osaka. In 1950, Uechi returned to Okinawa and established the Shito-ryu Kempo Karate-do Kai. On Okinawa, Uechi is considered the true successor to Mabuni’s art, but internationally, Mabuni’s eldest son, Kanei, is acknowledged as the head of Shito-Ryu and runs the Shito-kai. Younger brother Kenzo Mabuni also acknowledged as the head of Shito-ryu was asked by his mother to take over the style. Kenzo Mabuni was unsure and could not decide at the time what to do. So he went into seclusion and at the end of what became a two year retreat, Kenzo Mabuni decided to accept this great responsibility and hence became the inheritor of his father’s lineage. Kenzo Mabuni lives in the original family home in Osaka, where he headquarters his organization the Nippon Karate-Do Kai.
Kanei Mabuni and his younger brother Kenzo head the karate programs at several universities, a task inherited from their father. Still other early students of Mabuni have their own distinct organizations and followings.
Ryusho Sakagami, a contemporary of Kanei Mabuni, established the Itosu-kai just after Mabuni’s death. Sakagami’s son, Sadaaki, now oversees the Itosu-kai from the Yokohama area. In 1948, Chojiro Tani organized the Shuko-kai, where he taught Tani-ha Shito-ryu. Ever innovative, the Shuko-kai, under the present leadership of Shigeru Kimura in the United States, appears somewhat different in technique from the other Shito-ryu groups.
Master Mabuni, the founder of
Shito-ryu Karate, died in Osaka, Japan in May, 1952 at age 64 leaving his name and art in every heart of each Shito-ryu Karate-ka.

Chojun Miagi
Chojun Miagi (1888-1953) was the founder of the
Goju-ryu style, "The way of inhaling and exhaling is hardness and softness." Go means hard and Ju means soft. Since his style was a combination of these ideals it became known as Goju Ryu 'hard soft way'. In Goju-ryu much emphasis is placed on combining soft circular blocking techniques with quick strong counter attacks delivered in rapid succession
Chojun Miyagi was born in Naha City, Okinawa on April 25th, 1888. He began training in karate under
Kanryo Higa'shi'onna in 1902. Because of his great natural talent and fierce determination, he progressed very rapidly. Training was very severe, with a lot of running and strength exercises. It is said that he sometimes passed out performing Sanchin kata, so demanding was Sensei Higaonna on his student's performance. He studied with his teacher for 14 years before his teacher’s death in 1915.
In 1915 he journeyed to Fuzhou, China, the city where his teacher had studied the martial arts, to further his own research. This was one of three trips he made to China during his lifetime. On his return to Okinawa, he began to teach the martial arts at his home in Naha. Later, he also taught at the Okinawan Prefecture Police Training Center, at the Okinawan Master’s Training College, and at the Naha Commercial High School.
In 1921, he was chosen to represent Naha-te in a presentation to the visiting crown prince Hirohito, and gave an impressive performance. He repeated this in 1925 for prince Chichibu. He began to visualize the future of the Okinawan fighting arts, and in 1926, at the age of 38, set up the Karate Research Club, along with Chomo Hanashiro (Shuri-te),
Kenwa Mabuni (Shito Ryu) and Choki Motobu, spending the next 3 years training in basics, kata, fitness and philosophy. Chojun Miyagi dedicated his whole life to karate. Every waking moment was spent in pursuit of the art, always remaining vigilante to his surroundings, always planning and ready for whatever might occur.
The teaching system, which he formulated, enabled karate to be taught in schools for the benefit of the young people, and to reach vast numbers of people throughout the world. However, his private teaching at his home remained strictly in adherence to the principles and traditions of the teacher,
Kanryo Higa'shi'onna, and his teacher before him Ryu Ryu Ko.
In 1931,
Goju-ryu Karate-Do was officially registered in the Butokukai, the center for all martial arts of Japan. This was a milestone for karate as it meant that it was recognized on a level with the highly respected martial arts of Japan. Chojun Miyagi died on October 8th, 1953, of either a heart attack or a cerebral hemorrhage at the age of 65.

Hironori Ohtsuka
Hironori Ohtsuka (1892 - 1982) was the founder of the
Wado-ryu style, and studied Shotokan under Gichin Funakoshi. Wado Ryu karate was founded by Hironori Ohtsuka during the 1920s and 1930s.
Ohtsuka was born on 1st June 1892 in Shimodate City, Ibaraki Prefecture, Japan. At the age of 6 years he began to study jiu Jutsu with his Grand Uncle. At the age of 13 he started to study Shindo Yoshin Ryu Jiu Jutsu under a teacher named Tatsusabaro Nakayama. Ohtsuka continued his studies whilst at Waseda University. He received the award of Menkyo-Kaiden in 1921 (successor as master of this style)
Ohtsuka heard about a new style of unarmed combat from Okinawa that had been introduced by
Gichin Funakoshi. That art was known as Karate. In 1922, Ohtsuka went to visit Funakoshi in Tokyo to study karate. He also trained with other great Karate masters such as Kenwa Mabuni and Choki Motobu.
His prowess in the Martial Arts had led him to be the Chief Instructor of Shindo Yoshin Ryu Jujitsu and an assistant instructor at Funakoshi Sensei's dojo. By the year 1929 Ohtsuka was a registered member of the Japan Martial Arts Federation
During his time training, Ohtsuka developed the concept of pre-arranged sparring in which both participants know in advance what attacks and defences are to be carried out. The exercise could be considered to be a small two person kata for developing skills and learning certain concepts - it is half way between basics and applications.
At this time Ohtsuka experimented with incorporating all his martial art skills into a new form of Karate. Part of this experimentation was the introduction of free-fighting practice. This conflicted with Funakoshi's view of Karate and they parted company.
In 1938, Ohtsuka's new style was accepted by the Dai Nippon Butoku Kai under the name of Wado Ryu. Ohtsuka was also awarded the title of "Renshi-go".
Development of Wado Ryu continued after the Second World War, and in 1966 Ohtsuka Sensei was awarded 'Kun-Goto-Soukuo-Kyo-Kuju-jutsu-Sho' (similar to the OBE in Great Britain) from Emperor Hirohito for his dedication to Karate. In 1972 he was awarded the title of Meijin from Higashino-Kunino-Miya (a member of the Japanese royal family) President of the International Martial-arts Federation the 'Kokusai-Budo-Renmei'. Ohtsuka Sensei was the first man in history to receive this the highest honour in martial-arts. For his services to Martial-arts, and to honour his new position as the highest Karate Authority in Japan, he was awarded the Shiju-Hoosho medal from the Japanese Government, the only man in the history of Karate to be so honoured.
On the 29th of January 1982 Ohtsuka-Hironori Meijin died shortly before his 90th birthday, he had practiced martial-arts for 85 years. "Buno-michi-wa Tada-aragoto-na-to-omohiso Wa-no-michi-kiwa-me Wa-o-motomu-michi; The way to practise martial-arts is not for fighting. Always look for your own inner peace and harmony, search for it." Ohtsuka-Hironori.


Ryusho Sakagami
Ryusho Sakagami (1915-1993) was born in Hyogo Prefecture, Kawanishi City of Japan, the son of a very prosperous "Saki" (rice wine) family businessman. He began practicing the martial art of ‘Kendo" around the age of ten and in his later teen years began to study "IAIDO" (way of Samurai Sword Draw). Ryusho Sakagami continued to diligently practice these arts and by 1934/35, he was enrolled at the prestigious Tokyo University, the Kokushinkan, who's specialty was producing the top Kendo instructors in Japan. While attending university, he became interested in the art to Karate-Do and Kobudo and later began to receive instruction from the famous Okinawan master, Moden Yabiku.
Over the next few years Ryusho Sakagami continued his education and intense training in various martial arts and around 1937, after repeated visits to Okinawa to train in Karate-do and Kobudo, he was encouraged by some of the great masters to return to mainland Japan and continue his studies with the prominent Okinawan master
Kenwa Mabuni in Osaka.
After graduating from university, Ryusho Sakagami returned to Osaka to become a dedicated disciple of
Kenwa Mabuni. By 1941, he was successful in receiving the "Shihan" (master teacher) licence from Master Mabuni and a short while later returned to his home prefecture to establish the "Gembukan Karate-Do Dojo".
As a result of his efforts to further promote the martial art to Karate-do, Ryusho Sakagami was awarded the honorary Karate-do title of "Renshi" (man of discipline) in 1942 from the Dai Nippon Butoku-Kai, the most prestigious martial arts organization in Japan at the time. Prior to the untimely death of Grandmaster
Kenwa Mabuni on May 23rd. 1952, Ryusho Sakagami Sensei was directed by the Grandmaster to accept the honorific position of "Third Generation Leader of Itosu-ha" (Itosu's Orthodox Style) in early 1952.
After the Grandmaster's death, Sakagami Sensei moved to the Tokyo area where he taught for a short time in 1953, and then, finally settled in the town of Tsurumi located between the cities of Kawasaki and Yokohama. By 1955, Sakagami Sensei had firmly established the "Zen Nippon Karate-Do Itosu-Kai" headquarters for instruction in the martial arts of Kendo, Karate-Do, Kobudo, and Jodo (way of the short-staff). Over the next few years, Sakagami Sensei continued with the study of Ryukyu Kobudo under the direction of Grandmaster Shinken Taira who awarded him a Shihan licence in 1959, and later promoted him to the level of 8th Dan, Kobudo in 1963.
Master Sakagami's reputation as a highly qualified and well respected martial artist became legendary. Sakagami became famous for his knowledge of all Japanese Budo, and was regarded as a walking encyclopedia of styles, lineage, technique, and kata.
By this period in time, he had also distinguished himself to a level of 5th Dan in Aakido, 5th Dan in Judo, and 7th Dan in Jukendo (way of Rifle & Bayonet). During 1962, Sakagami Sensei was greatly honored by being awarded the 7th Dan, Kendo - "Kyoshi" (man of high attainment) level of distinction.
Among Master Sakagami's more notable disciples were his son Shihan Sadaake Sakagami (Chief Instructor, Japan Headquarters), Shihan Seiko Suzuki (Tokyo - founder of present Seiko-Kai Shito-Ryu), Shihan
Fumio Demura, (1965 founder of Shito-Ryu Itosu-Kai U.S.A.), and Shihan Kei C. Tsumura (1969 Founder of Shito-Ryu Itosu-Kai, Canada).
In 1980, Master Sakagami was awarded the distinction of 8th Dan Karate-Do "Hanshi" (Superior level of attainment) by F.A.J.K.O.and by 1987, he had also reached the 8th Dan Iaido - "Hanshi" level in the Muso Jikiden Eishin Ryu Iai system.
One of the final honors received by Master Sakagami was to be elevated to the 10th Dan Karate-Do - "Hanshi" (Grandmaster) level by the Nippon Karatedo Rengokai (Japan karate-do All-Styles Organization).
Grandmaster Ryusho Sakagami died on December 28, 1993.
JKF bestowed upon him Hanshi 9th Dan posthumously on June 22nd. 1994.


Kosei Kokuba
Kosei Kokuba (1901 - 1959 ) the father of Shogo Kuniba, was the founder of Motobu-ha Shito-ryu.
Motobu’s teaching had a great impact on karate and especially on Kosei Kokuba. Kokuba combined his learning from Mabuni and Motobu and created Motobu-ha Shito-ryu karate.
(In Okinawa the Kanji characters for Kokuba are pronounced as Kokuba but in Japan, the same characters are pronounced as Kuniba. To avoid confusion he changed the pronunciation of the family name to Kuniba.)
Kosei Kokuba was born in Naha City, Okinawa in 1901 the youngest son of a samurai family descended from the Sho-Shi royal family of Okinawa. At the age of 14, he began karate training in the dojo of Master
Choki Motobu. In 1924 he moved to Tokyo, Japan and in 1940 he settled in Osaka where he began training students in the Okinawan style which he had studied. On June 6, 1943 Kokuba founded Seishin Kan Dojo.
Later, when his friends from Okinawa,
Motobu and Mabuni came to Osaka, he gave them room and board in exchange for their teaching at the Seishin Kan Dojo. He received training in Shito-ryu karate from its founder Kenwa Mabuni. Kokuba’s other instructor was Choki Motobu. Kokuba taught the Motobu style of Karate and upon Motobu’s death in 1944, he became the Soke or family head of Motobu-Ha Karate-Do.
Shogo 'Soke' Kuniba
Shogo Kuniba (1935 - ) the son of master
Kosei Kuniba was born on February 5, 1935 in Yamanashi prefecture near Mt. Fuji in the city of Fuji-Yoshida-Shi. The son began his karate training at the age of 5 in his father’s dojo. At the age of eight he was sent to study with Tomoyori Ryusei of Kenyu Ryu. Master Kuniba wanted his son to be a true samurai as were his ancestors and, as a true samurai, at 8, Shogo also began to study judo in an Osaka Dojo. He continued his training in Judo for ten years and earned a sandan rank.
In 1947 at the age of 12, he bagan training with Master
Mabuni in Shito-Ryu and was soon promoted by Mabuni Sensei to Shodan in Karate. In 1950 he was promoted to Nidan by Master Mabuni and Master Tomoyori and in 1952 earned a Sandan rank.
As a high school student, Shogo was president of his karate club. At the age of seventeen, he began teaching karate at Osaka Prefecture University and there is still a branch dojo of Seishin Kai there today. After high school, he trained in Karate at Keio University and later trained at Doshisha University while he was a student there.
In 1955 Shogo was promoted to Yondan by Tomoyori Sensei. During that year he was also promoted to Sandan in Iaiso and Yondan in Kobudo. In 1956 he traveled to his father’s homeland of Okinawa where he trained with Master Nagamine Shojin in this style of Shorin-Ryu. While in Okinawa, he studied Kobudo with Taira Shinken and Nakaima Kenko of Ryuei Ryu. With Yamaguchi Junko, he studied the use of the tonfa.
In 1983 he opened a Hombu Dojo in the USA in Portsmouth, Va. He then concentrated his efforts on teaching his style of karate-do to the world. The Seishin Kai is growing in the USA and is now beginning to growing in the USA and is now beginning to grow in Europe, Mexico, Israel, Sweden, South America and the West Indies.
Soke Kuniba adhered to the teaching and the philosophies of the Okinawan masters from who he is descended. He believed and taught that the true goals of karate-do are the development of patience, self-discipline, humility and inner strength (ki).


Fumio Demura

Fumio Demura (1938--) was born in Yokohama, Japan in 1938. He started practicing karate at the age of 8 and started studying Kendo and Karate under Ryusho Sakagami at the age of 12.
In 1961 Shihan Demura won the National Kumite title of Japan and retired from competition in 1963. He was now teaching karate in Tokyo, but had the desire to come to the United States. His opportunity presented itself when martial arts historian Donn Draeger introduced him to the American karate pioneer Dan Ivan who was in Japan looking for a talented instructor to assist him with his dojos in southern California. In 1965, Shihan Demura moved to the United States. He quickly became a prominent figure in the American karate world through his teachings and his highly skillful and entertaining demonstrations.
Over the years that followed Shihan Demura and his students introduced thousands of people to the martial arts through their colorful displays in the southern California area.
Today Shihan Demura serves as director and Chief Instructor for the Japan Karate-Do Itosu-Kai Karate-do (USA). He still teaches at his Santa Ana, California dojo and most weekends are spent giving seminars or assisting at tournaments literally throughout the world.
Besides teaching Karate, Mr. Demura is the stunt man for Pat Morita in the Karate Kid series of motion pictures, as well in the O'Hara television series. His other film credits include, Island of Dr. Moreau, Bring 'Em back alive, and most recently Rising Sun and Mortal Kombat. These are just a few of the numerous films in which Mr. Demura has performed. For years he was featured at the Japanese Village in Buena Park and in Las Vegas. Today, he spends the brief time away that he takes from his Dojo to demonstrate at Tournaments and Charity events. Demura has been featured in many Martial Arts publications.
Note:
It may be noted that
Yasutsune "Anko" Itosu and Kanryu Higa'shi'onna are the two most important name in the history of modern Karate-do.The four major style of Modern Japanese Karate:- Shito-Ryu, Shotokan, Goju-Ryu, and Wado-Ryu, can be traced to them .
Kenwa Mabuni (1887-1952), the Shito-Ryu founder, was a student of both Yasutsune "Anko" Itosu & Kanryu Higashionna.
Gichin Funakoshi (1886-1957), the Shotokan founder, was a student of Yasutsune "Anko" Itosu (also of Azato).
Chojun Miagi (1888-1953), the Goju-Ryu founder, was a student of Kanryu Higashionna.
Hironori Ohtsuka (1892-1982), the Wado-Ryu founder, was a student of Gichin Funakoshi, shotokan.

majdi louhichi


What is Karate?

The art of Karate is a system of combat developed on the island of Okinawa. Karate may allow you to defeat an opponent by the use of striking and kicking. The students practice hard physical training to develop fighting skills.This training requires strenuous physical and mental discipline. Karate helps with the development of a strong character and builds a feeling of respect toward our fellow man. The study of Karate, therefore, may be valuable to all people, male and female, young and old alike.
The literal meaning of the two Japanese characters which make up the word Karate is "empty hands." This, of course, refers simply to the fact that Karate originated as a system of self-defense which relied on the effective use of the unarmed body of the practitioner. This system consisted of techniques of blocking or thwarting an attack and counter-attacking the opponent by punching, striking or kicking. The modern art of Karate has developed out of a thorough organization of these techniques.
Karate as a means of self-defense has the oldest history, going back hundreds of years. It is only in recent years that the techniques which have been handed down were scientifically studied and the principles evolved for making the most effective use of the various moves of the body. Training based on these principles and knowledge of the working of the muscles and the joints and the vital relation between movement and balance enable the modern student of Karate to be prepared, both physically and psychologically, to defend himself successfully against any would-be assailant.
As a physical art, Karate is almost without equal. Since it is highly dynamic and makes balanced use of a large number of body muscles, it provides excellent all-around exercise and develops coordination and agility.
Many girls and women in Japan have taken up Karate because, in addition to its usefulness as self-defense, it is especially good for the figure. It is widely practiced by both children and older people as a means of keeping in top physical condition, and many schools are promoting it as a physical art among their students.
As a sport, Karate has a relatively short history. Contest rules have been devised, however, and it is now possible to hold actual matches as in other competitive sports. because of the speed, the variety of techniques, and the split-second timing it calls for, many athletic-minded people have come to show an interest in competitive Karate and there is every indication that it will continue to grow in popularity.
Western (non-Japanese) students may be interested to know that the Japan Karate Association emphasizes Karate's character-building aspects, in which respect for one's opponent (sportsmanship) is the cardinal principle. The maxims which are taught to the students can be summarized in the following five words:
CHARACTER
SINCERITY
EFFORT
ETIQUETTE
SELF-CONTROL
How The Word "Karate" Developed
"TE"
Prior to the 20th Century, many terms were used to describe certain forms existing in Okinawa. These forms were not found in Japan nor in China but many similarities were found in these countries.
"Chan Fa and Ken Fat"
The meaning of "Kempo" in Japanese is "The Law Of The Fist" or "The Way Of Fist". "Kempo" is read as "Chan Fa" in Mandarin and "Ken Fat" in Cantonese in China.
"Tode"
The great mighty Tang Dynasty influenced Japan in many ways. Government representatives had been exchanged during the Sui period but it was during the Tang period that the Japanese learned Chinese culture very deeply. There were many buildings built imitating Chinese design. So great was the influence by T'ang that the character "To" (also known as "Kara") was used as an adjective meaning "T'ang=China." For example, Kara Ningyo=China doll and To Jin=Chinese people. It is understandable that either Japanese or Okinawans named the fighting forms developed in Okinawa as "Tode" (then also read as "Karate"), not because these forms came from China but because of unknown factors. As a custom, when there was something unknown to Japanese people, they were pleased to believe that it must have come from China.
1905
In 1905 Karate was included in the physical education curriculum of Okinawa's intermediate schools (junior high). The ideographs (Tode) were standard in Okinawa at this time. In 1905 the Okinawa Master Chomo Hanagi first used the other (Karate) ideograph for his book Karate Soshu Hen.
Meeting in 1936
In 1936 Ryukyu Shimpo, an Okinawan newspaper, sponsored a meeting of Okinawan Karate masters to discuss the status of Karate in Okinawa. Yabu, Kiyamu, Motobu, Miyagi, and Hanagi were invited to Naha, the capital city of Okinawa and also the "Mecca" of the Karate world. In this meeting, the unification of writing was discussed and it was decided to change the name of the art to "Karate" meaning "empty hand".
Reasons For This Change
1. They would establish the new origin. They believed Okinawan fighting arts could be independent from China even though they recognized that great influence by China that existed.
2. The new ideograph also represented the meaning of "Mu" "Ku" which has a stronger association with Zen philosophy than the old.
3. This was the art of fighting methods using no weapons but only the "empty hand".
Standardization
After the meeting, the letter was standardized and has remained unchanged to the present day. The ideograph was used occasionally by people who were reluctant to use changes even in the early 1960's.
The Beginnings In India
According to legend, in the sixth century A.D., the Indian monk Daruma journeyed from India to China to teach the Liang dynasty monarch the tenets of Zen Buddhism. To endure this arduous journey, Daruma developed the physical and mental powers for which he was later renowned. After delivering the tenets of Buddhism, Daruma remained in China, staying in Shaolin Sze where he taught Buddhism to the Chinese monks. Here he became famous for teaching standards of Buddhism that were very strict physically as well as spiritually.
Although there are many stylistic similarities in the fighting arts of India and China, there is no solid evidence that the Chinese fighting arts came from India as is told in legends. There are Chinese texts documenting the existence of several Chinese martial art forms prior to Daruma's journey in the 6th century.
I merely wish to affirm that the organized origins of Karate came into being during this time period, and that no known record either verifies or denies this contention.
The Chinese Influence
"Although the goal of Buddhism is the salvation of the soul, the body and soul cannot be separated. In weak physical condition one will never be able to perform the rigorous training necessary to attain true enlightenment." So Daruma taught student monks Icchin which is regarded as the tool through which is necessary rigorous physical and mental training may be endured.
As a corollary of Daruma's training, the monks at the Shaolin Temple won the reputation of being the best fighters in China.
Ch'Uen Yuan
Most Chan Fa systems are descendants of the one hundred-seventy hand and foot positions of Ch' Uen Yuan and they can be traced back to Bodhidharma's influence.
Branching Out
The Shaolin Chan Fa is listed as one of nine Wai Cha (external schools) of fighting systems and is regarded to be the first established system in China.
1. Shaolin Chan Fa.....Sui period or before
2. Hung Chuan..........Sung period (1127-1279)
3. Tau Tei Yu Tan Tui..Sung period
4. Hon Chaun...........Ming period (1368-1644)
5. Erh-Lang Men........Ming period
6. Fan Chuan...........Ming period
7. Cha Chuan...........Ming period
8. Mi Tsung Yum........Ching period(1699-1911)
9. Pa Chuan............Ching period
In comparison there were the Nei Cha (internal schools), all from the Sung or post Sung Dynasties.
1. Wu Tang Pai
2. Tai Chi Chuan
3. Pa Kua Chaun
4. Hsin Yi Chua
5. Tzu Fan Men
6. Liu He Pa Fa
Japan
Sumo is perhaps the oldest known form or system of weaponless fighting in Japan and dates back beyond the mythological era (before 500 A.D.). The earliest legends tell of two god figures, Takeminakata No Kami and Takemikazuchi No Kami, who engaged in power contests. Another story relates the wrestling contests between Nomino Sikune No Mikoto and Taima NoKehaya. These contests are known to be the first between demi-gods and similar mythological beings.
In 607, during the Sui Dynasty, the first official Japanese ambassador was sent to China, and this exchange was maintained through the T'ang Dynasty. During this time Chinese influence flourished in Japan, and it is believed that Chan Fa was introduced along with many other things of Chinese origin.
Many forms of martial arts already existed in Japan during this time period which might carry the influence of Chan Fa in their fighting styles. However, these Chan Fa systems were never developed by the Japanese martial artists of the day. This lack of development was due to the structure of Japanese society. At that time, there was a very strong status system in Japan much like the caste system in India, and only the members of the samurai class were allowed to use weapons for fighting or train in the martial arts.
The samurai were respected because they protected the commoners. They were expected to behave in a respectful and courageous manner.. Through strong government control, the role of the samurai became a sacred trust, carrying "this burden of pride." Being a member of the samurai class meant lifelong employment unless a samurai was found guilty of wrong doing. In that case, he and his family would lose their jobs permanently.
Samurai constantly practiced weaponry to better themselves and had time for little else. It is easy to see how weaponless fighting systems developed at that time would never gain enough popularity to be properly recognized. Even so, some forms of martial arts were developed like Torite and Ashikeri, and later Yawara and Jujitsu did exist among the lower class police forces. An interesting note is the similarities in the weapons (kobudo) developed in Japan and in Okinawa during this time period.
Early Stages
During the Sui and Tang Dynasties, many Japanese and Chinese representatives traveled with relative freedom between the two countries. This is also when Buddhism came to Japan and gained popularity. Interestingly, during the Heian period between 794-1184, many Buddhist monks were well trained in fighting methods and were used to maintain local law and order. Many became security guards for wealthy individuals in Kyoto. The popularity of Buddism made some temples so powerful that they became involved in many political upheavals. And because of the popularity of Buddism, the monks were untouchable by either the samurai or the government. Many temples became independent and secretive in their administration of religious matters due to the political intrigues.
This is believed to be the time when many martial arts developed in Japan. Wars and battles were still decided by the samurai, but the art of fighting systems was practiced and developed by the Buddhist monks.
Toyotomi Hideyoshi
In 1592, this great general decided to fulfill his dream of conquering the world. He had conquered Japan and sought to continue his quest by marching on to China. Many of his generals were against this plan, and it soon proved to be a disaster as the Japanese faced too many disadvantages. Ships were not powerful enough, the climate was against them, the generals in Korea were not familiar enough with the terrain to plan strategic advances, and resistance was much stronger than expected. The dream was ended with the death of Hideyoshi in 1598 without a single Japanese soldier ever setting foot on Chinese soil.
The failure of this conquest cost Toyotomi not only his life and his fortune, but also his dynasty. Once again the peace of the entire nation was in shambles. The conflict between the remainder of the Toyotomi clan and the rival clan of Tokugawa Dynasty began and was to last for the next three hundred years.
It is oral history that many warriors came back from the failed conquest of China with some kind of hand-to-hand combat system. But as history has revealed, the warriors reached only Korea and not China.
Okinawa
The basic form of self-defense are perhaps as old as mankind. The art of Karate as it is widely practiced today can be traced back to Okinawan martial arts systems called "Te", meaning "hand". Te later was renamed Tode, the name it held before it became known as Karate. the Japanese used the name "kempo", which means "fist way", and the similar term in Chinese is Chan Fa.
Okinawa is the main island of the Ryukyu Islands, located in the East China Sea between Kyushu, Japan and Taiwan. Okinawa has maintained cultural contact for centuries with both China and Japan. Through a constant influence of Chinese sailors and merchants, the indigenous Okinawan fighting forms were heavily influenced by Chan Fa. Because of its strategic location, Okinawa was invaded several times by both China and Japan. Each country sought to use okinawa as a military and diplomatic base. With these two powerful countries vying for control, it is not surprising that the Okinawan people developed high levels of proficiency in self-defense.
Okinawans have long been known as fierce fighters, and the tragic battles of World War II proved to the world that the Okinawans would rather die than live in disgrace. The spirit of the samurai was well developed in the hearts of these people.
The Legendary Sakugawa
In 1724, a man named Sakugawa journeyed to China from his home in Shuri, Okinawa. He was gone for many years, and his friends and relatives thought him lost or dead. One day to everyone's surprise, Sakugawa returned home a much changed man. He possessed a mysterious physical strength and a complex form of Chan Fa.Soon many people wanted to become his students. This was the start of the Sakugawa style of Karate.
Thirty Six Families
The emperor of China sent Okinawa an imperial gift of skilled artisans and merchants. These people soon formed into a community known as the Thirty-Six Families. This community was responsible for the rapid spread of Chan Fa throughout Okinawa. It should be noted that "thirty-six" often means "a great many" and may not mean thirty-six numerically.
Chinese Numbering
One Whole, absolute, first
Two Pair, comparison, front and back,
top and bottom, etc.
Three Sanchin, top-middle-bottom, fate,
Mother Nature
Four Directions, square, objects
Eight Multiple directions, many, plenty
Thirty-Six Great many
Sho Hassi
In 1429, Sho Hassi united the kingdom of Okinawa under his rule and renamed North and South. During the era of his grandson Sho Shin, the policy of "Bunji-Kokka", or government by culture not military force, was put into effect. At this time all weapons were banned except for those used by military forces. The objective was to restore peace and to disarm rival clans.
Civil War In Japan And The Satsuma
After Toyotomi died, Japan was split into two massive forces. One force was the remainder of the Toyotomi clan from the West and the other was controlled by the new leader Tokugawa from the East. In 1600, these two powers met head-to-head at Sekigahara Field to decide the control of Japan. Although most of the Western generals and the Satsuma clan controlled most of Kyushu joined the Toyotomi, the Tokugawa forces won.
Tokugawa allowed the Satsuma-Shimazu family to retain their territories under the edict of unconditional loyalty to Tokugawa. The reason he allowed the Shimazu family to keep their lands was that they were so powerful that trying to destroy them might have proven self-defeating and was not in the best interest of Tokugawa. So instead Tokugawa took the Shimazu family as his allies and sent them to punish Okinawa for refusing to send supplies during the Japan-China war of 1592. It was also a useful way to smooth the honor of the frustrated Satsuma warriors by giving them a new target while keeping them too busy to make any further plays against Tokugawa.
A Ban On All Weapons
Upon seizing control of Okinawa, the Shimazu clan instituted numerous rules of martial law, one of which was a ban on all weapons. This time, however, the ban was on a much larger scale than that instituted by Sho-Shin. Only the Satsuma samurai, who were the invaders and conquerors of Okinawa, were allowed to have weapons.
The methods used by the Satsuma for enforcing the weapons ban were ruthless. Any weapons found in an Okinawan's possession were immediately confiscated and the owner was severely punished. As part of the ban, the Shimazu also prohibited the Okinawans from participating in the study or practice of the martial arts.
This ban had a number of serious effects on the Okinawan martial arts. All study and participation was forced underground, and all teaching was done by word of mouth only.No written records exist which would allow us to trace the development of the Okinawan arts during this time period. This has led to the creation of many false legends due to the inability to document facts.
Secrecy became such an obsession that instructors hid true techniques from rival schools, as in the changing or hiding of moves in kata. this eventually led to the development of new and unique fighting techniques and systems including the modification of farming and work tools into weapons for combat use. The fighting attitudes in the martial arts schools became very violent due to the suppression of civil liberties and the general sentiment of the times.
And above all, the ban made Karate one of the most practical and effective hand-to-hand combat systems ever developed. The need for practical application kept Karate from degenerating to a mostly theoretical art or a simple or obscure form of exercise.
The Secret Revealed
It is impossible to pinpoint when the secrets of Karate began to be revealed long after rules were changed. However, there was a gradual but steady unveiling and interaction of this magnificent art. Luckily, some schools were not as attached to secrecy as others, and slowly the major schools of Karate became less suspicious and more open. Officially, the Satsuma's control ended in 1875, but Karate did not become popular or even well known as being an Okinawan art until around 1903.
Intense rivalry within Karate schools did not help to promote the discovery of the art. Karate, primarily developed to maim or kill opponents, was no longer needed in actual combat as conquering Satsuma samurai had departed for Japan.

majdi louhichi





ABOUT KARATE

Sanshinkai Karate was developed by Jan Wellendorf, a martial arts instructor, author, business manager, tournament competitor and He began his
Jan Wellendorf 10th Degree Blackbelt

martial arts study in 1963. He studied Japanese, Chinese, Korean, and Okinawan Karate. He is the retired president of the Karate International organization.
Out of his training grew Sanshinkai Karate. Sanshinkai means the "three power society," the three powers of mind, body and spirit. Sanshinkai is an art that teaches a student balance of self. One should strive to develop the body so that it can do the bidding of the mind. One should develop the mind to see what is correct and needed. One should develop the spirit so that it may move the other two forces into action.
The heart of Sanshinkai is the belief that all great techniques contain a balance of mental, physical, and spiritual forces. Each of these forces has three parts, which progress the technique to higher levels of speed, power and timing.
The Sanshinkai student is also introduced to abstract training methods rarely found outside the Orient. These have been carefully Westernized to aid the student in understanding and balancing the three powers for the perfection of his or her technique and for the elevation of his or her own potential.
Mr. Olevsky has continued his teacher's work by using his teachings to build Karate International's flagship dojo. Mr. Olevsky continued Mr. Wellendorf's philosophy of "keeping the best" and to "diversify your martial arts knowledge". These teachings helped Mr. Olevsky develop his own training by earning Black Belts in Karate, Judo, Jujitsu, and Kendo. Many of Mr. Olevsky's Black Belt students, follow his example and cross- train in more that one martial art. On occassion, a student may catch Mr. Olevsky in a moment of reflection in his dojo and ask him why he's smiling. He will usually respond by telling them, "I'm proud of what I see" as he is looking out at a staff of over 65 active Black Belts, several hundred students, and 4 certified martial arts programs.



majdi louhichi


>THE HISTORY OF KARATE<

Most Western students of Asian martial arts, if they have done any research on the subject at all, will surely have come across references to Bodhidharma. He is known as "Daruma" in Japan and as often as not, this Indian Buddhist monk is cited as the prime source for all martial arts styles or at the very least, for any style which traces its roots back to the fabled Shaolin Temple. However, the question of his contributions to the martial arts and to Zen Buddhism and even of his very existence has been a matter of controversy among historians and martial arts scholars for many years (Spiessbach,1992).

As legend has it, the evolution of karate began over a thousand years ago, possibly as early as the fifth century BC when Bodhidharma arrived in Shaolin-si (small forest temple), China from India and taught Zen Buddhism. He also introduced a systematized set of exercises designed to strengthen the mind and body, exercises which allegedly marked the beginning of the Shaolin style of temple boxing. Bodhidharma's teachings later became the basis for the majority of Chinese martial arts. In truth, the origins of karate appear to be somewhat obscure and little is known about the early development of karate until it appeared in Okinawa.

Okinawa is a small island of the group that comprises modern day Japan. It is the main island in the chain of Ryuku Islands which spans from Japan to Taiwan. Surrounded by coral, Okinawa is approximately 10 km (6 mi) wide and only about 110 km (less than 70 mi) long. It is situated 740 km (400 nautical mi) east of mainland China, 550 km (300 nautical miles) south of mainland Japan and an equal distance north of Taiwan. Being at the crossroads of major trading routes, its significance as a "resting spot" was first discovered by the Japanese. It later developed as a trade center for southeastern Asia, trading with Japan, China, Indo China, Thailand, Malaysia, Borneo and the Philippines.
In its earliest stages, the martial art known as "karate" was an indigenous form of closed fist fighting which was developed in Okinawa and called Te, or 'hand'. Weapons bans, imposed on the Okinawans at various points in their history, encouraged the refinement of empty-hand techniques and, for this reason, was trained in secret until modern times. Further refinement came with the influence of other martial arts brought by nobles and trade merchants to the island.

Te continued to develop over the years, primarily in three Okinawan cities: Shuri, Naha and Tomari. Each of these towns was a center to a different sect of society: kings and nobles, merchants and business people, and farmers and fishermen, respectively. For this reason, different forms of self-defense developed within each city and subsequently became known as Shuri-te, Naha-te and Tomari-te. Collectively they were called Okinawa-Te or Tode, 'Chinese hand'. Gradually, karate was divided into two main groups: Shorin-ryu which developed around Shuri and Tomari and Shorei-ryu which came from the Naha area. "It is important to note, however, that the towns of Shuri, Tomari, Naha are only a few miles apart, and that the differences between their arts were essentially ones of emphasis, not of kind. Beneath these surface differences, both the methods and aims of all Okinawan karate are one in the same" (Howard, 1991). Gichin Funakoshi goes further to suggest that these two styles were developed based on different physical requirements Funakoshi, 1935). Shorin-ryu was quick and linear with natural breathing while Shorei-ryu emphasized steady, rooted movements with breathing in synchrony with each movement. Interestingly, this concept of two basic styles also exist in kung-fu with a similar division of characteristics (Wong, 1978).

The Chinese character used to write Tode could also be pronounced 'kara' thus the name Te was replaced with kara te - jutsu or 'Chinese hand art' by the Okinawan Masters. This was later changed to karate-do by Gichin Funakoshi who adopted an alternate meaning for the Chinese character for kara, 'empty'. From this point on the term karate came to mean 'empty hand'. The Do in karate-do means 'way' or 'path', and is indicative of the discipline and philosophy of karate with moral and spiritual connotations.



The concept of Do has been prevalent since at least the days of the Okinawan Scholar Teijunsoku born in 1663, as this passage from a poem he wrote suggests:

No matter how you may excel in the art of te,
And in your scholastic endevours,
Nothing is more important than your behavior
And your humanity as observed in daily life.

(Nagamine,1976)

The first public demonstration of karate in Japan was in 1917 by Gichin Funakoshi, at the Butoku-den in Kyoto (Hassell 1984). This, and subsequent demonstrations, greatly impressed many Japanese, including the Crown-Prince Hirohito, who was very enthusiastic about the Okinawan art. In 1922, Dr. Jano Kano, founder of the Japanese art of Judo, invited Funakoshi to demonstrate at the famous Kodokan Dojo and to remain in Japan to teach karate. This sponsorship was instrumental in establishing a base for karate in Japan. As an Okinawan "peasant art," karate would have been scorned by the Japanese without the backing of so formidable a martial arts master (Maliszewski, 1992).

Today there are four main styles of karate-do in Japan: Goju-ryu, Shito-ryu, Shotokan, and Wado-ryu:

Goju-ryu developed out of Naha-te, its popularity primarily due to the success of Kanryo Higaonna (1853-1915). Higaonna opened a dojo in Naha using eight forms brought from China. His best student, Chojun Miyagi (1888-1953) later founded Goju-ryu, 'hard soft way' in 1930. In Goju-ryu much emphasis is placed on combining soft circular blocking techniques with quick strong counter attacks delivered in rapid succession.

Shito-ryu was founded by Kenwa Mabuni (1889-1952) in 1928 and was influenced directly by both Naha-te and Shuri-te. The name Shito is constructively derived from the combination of the Japanese characters of Mabuni's teachers' names - Ankoh Itosu and Kanryo Higaonna. Shito-ryu schools use a large number of kata, about fifty, and is characterized by an emphasis on power in the execution of techniques.

Shotokan was founded by Gichin Funakoshi (1868-1957) in Tokyo in 1938. Funakoshi is considered to be the founder of modern karate. Born in Okinawa, he began to study karate with Yasutsune Azato, one of Okinawa's greatest experts in the art. In 1921 Funakoshi first introduced Karate to Tokyo. In 1936, at nearly 70 years of age, he opened his own training hall. The dojo was called Shotokan after the pen name used by Funakoshi to sign poems written in his youth. Shotokan Karate is characterized by powerful linear techniques and deep strong stances.

Wado-ryu, 'way of harmony', founded in 1939 is a system of karate developed from jujitsu and karate by Hienori Otsuka as taught by one of his instructors, Gichin Funakoshi. This style of karate combines basic movements of jujitsu with techniques of evasion, putting a strong emphasis on softness and the way of harmony or spiritual discipline.

majdi louhichi

Tuesday, August 29, 2006

Sousse (Arabic سوسة Susa), is a city of Tunisia. Located 140 km south of Tunis, the
city has 220,000 inhabitants (2003 estimate). It is in the central-east of the country, on the Gulf of Hammamet, which is a part of the Mediterranean Sea. The name may be of Berber origin: similar names are found in Libya and in the south of Morocco (Bilād al-Sūs). It is the capital of Sousse Governorate with 540,000 inhabitants (2005 estimate). Its economy is based on transport equipment, processed food, olive oil, textiles and tourism. It is home to the University of Sousse.


History
In the 11th century B.C., the Phoenicians founded Hadrumetum. The city allied itself with Rome during the Punic Wars, thereby escaping damage or ruin and entered a relatively peaceful 700-year period under Pax Romana. Livy tells us that Hadrumentum was the landing place of the Roman army under Scipio Africanus in the second Punic War.

After the fall of Rome, the Vandals, and later the Byzantines, took over the town, renaming it, respectively, Hunerikopolis and Justinianopolis.

In the 7th century A.D. Arab-Islamic armies conquered what is now Tunisia and rapidly spread Arab culture across what had been a thoroughly Romanized and Christianized landscape. The Arabs seized the city, which in the aftermath of Rome's fall was but a remnant of its former self. They renamed the city Sûsa and within a few decades elevated it to the status of main seaport of the Aghlabid Dynasty.

When the Aghlabids invaded Sicily in 827, Sûsa was their main staging ground.

In the centuries that followed, as Europe gained technological ascendancy and began pushing back at Islam, Sûsa was briefly occupied by the Normans in the 12th century, was later more substantially occupied by the Spanish, and in the 18th century was the target of bombardments by the Venetians and the French. The French renamed the city Sousse.

Despite the turmoil around it, Sousse's character had retained the solidly Arabian look and feel it had assumed in the centuries after Islam's wars of conquest. Today it is considered one of the best examples of seaward-facing fortifications built by the Arabs. Its ribat, a soaring structure that combined the purposes of a minaret and a watch tower, is in outstanding condition and draws visitors from around the world.

These days, Sousse, with a population of more than 430,000, retains a medieval heart of narrow, twisted streets, a kasbah and medina, its ribat fortress and long wall on the Mediterranean. Surrounding it is a modern city of long, straight roads and more widely spaced buildings.

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Historical names
Hadrumetum (Punic)
Colonia Concordia Ulpia Trajana Augusta Frugifera Hadrumetina (Roman)
Hunerikopolis (Vandal)
Justinianopolis (Byzantine)
Susa (Arabic)
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City assets
Third city of the country after Tunis and Sfax, Sousse owes its status uncontested capital of the region to a certain number of assets :

An olive grove stretching over more than 2,500 square kilometres, constituting one of its main riches since Antiquity.
A bustling port, open to the town centre and giving a touch of gaiety to its activity.
A medina charged with history, draped in its fortifications and which continues to live at its own rhythm, harmoniously contrasting with the modern city of typically Mediterranean charm.
A seaside resort stretching to the north, making up together with the integrated complex of Port El Kantaoui one of the most complete and most diversified tourist zones of the Mediterranean, at only 20 km from the international airport of Monastir. As a sea town, Sousse benefits from a moderate and mild climate promoting all possible pleasures relating to evasion and recreation and making it to an all-season resort.
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Tourism
Sousse is home to many resorts and fine sand beaches, backed by orchards and olive groves. It has the further advantages of a pleasant Mediterranean climate, with hot, dry summers and gentle warm, wet winters, a strategic geographic location and a skilled population.

Although Sousse is associated with olive oil making, this is far from being the only industry in the city. Tourism has become a central activity, with some 1,200,000 visitors every year coming to enjoy its fine hotels and restaurants, trendy nightclubs and casinos, beaches and sports facilities, museums and the Medina (the old city).

A strip of 120 hotels with a capacity of 40,000 beds, runs from about 20 km north of town, south to a traditional downtown, and bazaar with wares directed mainly to tourists.

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Statistics
Population: 220,000 inhabitants (2003 estimate)
Altitude: 2 m
Humidity: 69%
Number of hospitals: (private and public) 15
Temperatures moyennes: (mean temperatures from May to August for the last 30 years)
Min: 19.7 °C
Max: 29.1 °C
Average: 24.4 °C
Rainfall average: May: 19.3 mm
June: 4 mm
July: 1.7 mm
August: 10.3 mm
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Sights
UNESCO declared the medina of Sousse a World Heritage Site in 1988, citing among other things its almost complete intactness.

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Sports
The football team of Étoile Sportive du Sahel, from Sousse, is one of the greatest clubs in Africa for having won many continental cups.

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THAT'S WHAT WE CAN NOT FORGET ABOUT TUNISIA











You may need to send one of this photos to your friend or your family
It's all about one of the best relegious day it's the (aid
Esssghir) as they say it in arabic
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